I remarked earlier, on Twitter, something about how I can’t get myself to stop working. Yesterday -and I say yesterday, not because it was different from other days, but because I noticed it and did the math- I worked an 18 hour day. I got up, ate breakfast, sat in front of my computer, and without doing it intentionally and without realizing it until I was over 16 hours in, I worked almost continuously, only stopping for food & bathroom breaks and the occasional human interruption. I had actually intended to relax that day. To take some time to play games or just watch TV and/or movies. Something. Alas, I’m in the midst of getting two books ready to send to my printer, and I’m completely occupied. I can’t seem to stop working.

One of the pitfalls of doing what you love full time is, apparently, not being able to get yourself to stop doing it. This entire week, while difficult and frustrating at times and almost always leaving me feeling unsure as to whether the product I’m producing will be marketable, has been enjoyable. I’ve been having a good time. A few hours ago, after I’d added the two new books (Forget What You Can’t Remember and More Lost Memories) to modernevil.com, after tweaking things around so everything displayed okay across 6 different browsers, when I spent over an hour simply rearranging the book cover thumbnails on the main page, I was having a good time. It was fun to play around with laying them out, spacing them out, and otherwise shifting the tiny images around in dozens of different configurations.

So, that’s good.

But then again, there are factors like: It’s already December 21st, I haven’t submitted either book to my printer yet -actually, I’m still waiting to hear back from a couple of people who said they’d copyedit for me, though probably not for much longer- and I haven’t finished composing the music for the podcast version of the novel and with Christmas and New Year’s Day I can’t expect particularly rapid turn-arounds on the book production and the podcast launches January 1st on the Modern Evil Podcast (and January 2nd on Podiobooks.com) and it sure would be nice to have the physical book available when the podcast goes live, but I don’t see things coming together that quickly, at this point. Wait, did that sentence make any sense?

I wanted to have the books to LSI (who prints & distributes them) ASAP, preferably in time to have them on hand before the podcast goes live (and before the Art Walk, Jan. 2nd). I wanted to have them done and ready to go a week ago. Monday of this week at the latest. But I have to do everything by myself. I’m a one-man operation. I write the books. I edit the books. I copy-edit the books. I do the layout. I design the covers. I take the photographs (or, in the case of More Lost Memories, paint the paintings) for the covers. I write the copy. I design and build the web sites. I do the accounting. I handle the “e-commerce”. I do the marketing. Everything. I do everything myself. So, it takes a little longer than I’d like. So, I probably won’t have the books on hand Jan. 2nd. Perhaps not even the proof copies back to be sure everything was set up okay.

Which, if I were trying to do things traditionally, wouldn’t be as much of a problem. A traditional publisher takes 9 months to two years to get a book on store shelves. I finished FWYCR at the end of October and I wrote More Lost Memories in November and I’m trying to have them in print and ready to sell by the end of December. Well, by “January, 2009″ right now. If I’d given myself until January 2010 it would have been no problem to get all this done. Heck, I could already have the audiobook in the can. Waiting for people to find the time to actually read the book and give me feedback wouldn’t be an issue. All that. But I’m not trying to copy what’s out there. I’m trying to run the publishing company I want to be. I want to go from first draft to book for sale in as short a time as I am capable of producing a professional product. I want to have several new books every year. This year, 2008, Modern Evil Press didn’t put a single new book in print. Next year, I’m starting with two in January and I have another short story collection about 2/3 finished, and unless the course of my life changes significantly, I should be able to get another novel (or two) written before the end of the year. I want to be the one-man operation that doesn’t hold itself back because of its limitations.

My only limitation is time. There’s only one of me. And I have to do everything. But it’s coming along. And it feels good. Hopefully I’ll be able to send these two books to the printer before Christmas. Then, with any luck, I can get some painting done in the midst of trying to launch yet another podcast novel. Alright, gotta go slice my fresh-baked cranberry bread now, then get ready for church. Thanks for reading.

I’ve been working all day on the cover design for my new novel, Forget What You Can’t Remember, most of that time spent on writing the copy for the back cover. This is what I have after about 8 hours of trying to write two or three paragraphs to sum up and sell a 292-page book:

Zombies! Doomsday! And someone who actually finished writing a novel in a month!

Mary, Lance, Brady, Lorraine, and the Sergeant are a handful of the survivors from a zombie outbreak that decimates a city. Each of them responds a little differently in the aftermath of the tragedy and to the inexplicable and possibly unrelated memory loss some of them seem to be suffering. Paul is obsessed with a worldwide cataclysmic event he’s been predicting for years, and while everyone else seems able to go on with their lives in its wake, he just can’t let it go. Add a utopian city in the sky and a mathematician who can fly, then watch all these elements intersect and converge in a place where some see a moral void and others can’t escape deep questions of right and wrong.

Forget What You Can’t Remember explores everything from economics and ethics to politics, post-traumatic recovery and the lonliness of heroism. If it doesn’t leave you guessing, it’ll at least get you thinking.

And then, in another part of the cover, alongside a small version of More Lost Memories‘ cover (which I haven’t even started on yet… Ugh.), the following:

More Lost Memories is a companion book to Forget What You Can’t Remember, a collection of short stories each of which delves deeper into a character, event, or situation from this book. Find out how the zombie trainers died, about Lance’s restaurant, what was really going on in chapter 21, and more. Available now from Modern Evil Press.

That’s assuming, of course, I can fit all those words on the cover in a readably-sized typeface.

Please, please, please give me your feedback, either here in the comments or via email or via Twitter reply, or via Plurk ASAP. As soon as I can get these cover designs done, I can send the books to the printer. The sooner that happens, the sooner I’ll have them for sale. I’d really, really, like to have them for sale close to the time the podcast of the book starts (1/2/09, on Podiobooks.com). Thank you!

(This post was originally created for and posted on the Modern Evil News (& Podcast) feed.)

Monday night I finished typing up the first draft of my new novel. (I’m still working on a name - what do you think of “Forget What You Can’t Remember”?) I wrote the entire thing on a manual typewriter, an Olivetti TROPICAL, which is to say ‘on paper, with ink.’ In between other projects and errands in the last two days, I’ve read the entire thing from start to finish. Out loud. Mostly to myself and to the cat. But it sounds pretty good, and I think it’s self-consistent, well-resolved, and perhaps yet another novel without an easy answer to the question “What’s it about?”

Briefly: It’s a followon to Lost and Not Found, though not a direct sequel. There are roughly two characters in common between the two books, and the main character from Lost and Not Found does not appear at all in this new one; it has an entirely new cast of characters and settings. It begins with the event that changed the world at the end of Lost and Not Found, and with zombies, but soon the story follows the characters to the flying city of Skythia while delving into the ways these various characters respond to both what has happened to them and the strange environment they now find themselves in. Going back to their old ways, moving on with their lives, lashing out against a system and a world they don’t understand, falling in love, or simply going a bit mad in a mad, mad world - the several interconnected characters’ journeys are really the heart of the story.

I’m about to start re-typing the whole thing into my computer. I haven’t decided how and when to first make it available, but I know for sure that it’ll be available in all the formats I have to offer: Paperback, eBook, and audiobook. I’m also planning on writing a companion book in November (for NaNoWriMo, actually), a collection of short stories which will tell stories somewhat perpendicular to the main thread of this novel. That is, where the novel follows closely the lives of its ensemble cast, especially re: the main progression of events, the short stories will help to build out the world the story takes place in, adding richness in the periphery of that story by telling stories that intersect with it. So, for example, in one chapter of the novel a superhero interrupts a mysterious, murderous heist at a Kwytzwyk Temple, and it changes his outlook on justice and ethics - and I want to write the story of the thieves, their previous exploits, and to give a lot more detail on the specifics of the Kwytzwyk religious practices and beliefs; all things that weren’t relevant to the main story of the novel, but which is a narrative with details worth exploring. (Playing around with a title for that gives me things like “More To Forget” and “More Memories For Forgetting”…)

Alright, so here’s a post about a concept that has occurred to me. It would probably serve me well to implement and participate in it, but -like so many of my ideas- it will probably not get further than this post. Depends on how ambitious I feel, I suppose.

It’s a pretty basic idea: Old media’s old ideas about reviews don’t work in the new digital world.

Not just because fewer and fewer book reviews are being published, and not just because the old media isn’t interested in new media, independent and self-publishers, and anyone who happens to use the ‘new’ tech of print-on-demand (unless they “hit it big”, sell out, and stop being those things). The old ideas don’t work for reasons I discussed here semi-recently: More books are being written and published than ever before, and more than could ever be reviewed in the old media without overwhelming everything else. Over a thousand new books a day in North America alone, last year. Heck, five of those were mine. So what’s the solution for getting all these new books reviewed? Heckifiknow. But I have an idea for getting some of them reviewed.

How about creators themselves -rather than just pro and amateur reviewers- review each other’s work? There could be some sort of central site where authors could log in and connect with each other and readers could come and see all the reviews in a central, searchable, well-organized location. The reviews could be done quid-pro-quo, ie: I’ll review yours if you review mine, and every book review then brings visibility to both works (because there’s always that “[name of reviewer] is the author of books such as [blah] and [bleh] and writes a blog at [blerg]” at the bottom of a review). Authors could exchange PDFs (MP3s, HTML files, URLs, et cetera), or probably, if they wanted a paper copy of the book, send them a pBook at cost (instead of full retail, since you’re getting a review, but also because none of us wants to go broke trying to get internet reviews). Reviews could then be cross-posted to the authors’ blogs, linked form their books’ sites, et cetera… Increasing the visibility of the review site. And the site would be able to scale better than most of the solo-blogger-reviewers out there, since every new author that wanted to be reviewed would have to become a reviewer. It should be media-agnostic, since we’re all internet people, here: eBook, audiobook, POD book, dynamic hyperbook, whatever, it’s all good. Lots of duplicate reviews are (I think) good, since different people have different opinions on different books - book reviews aren’t objective. A system similar to the one they use at MiniBookExpo For Bloggers could be used (except not just for Canadians), so one could be restricted to three (or so) pending reviews at a time.

Obviously, such a site would take a certain amount of work to be put up and maintained, but since it’s powered by the strengths of the network (each independent author / publisher handles their own distribution of the books, and is in charge of posting their own reviews, and for generating traffic to the site, and the more authors are involved the better the whole thing works), it’s mostly a matter of getting it off the ground.

Ooh, or does this exist already, and I don’t know about it? Point me in the right direction. I’ll sign right up. I should be doing more reading, myself, and adding the selfish motivation of getting my own books reviewed sure would help get me to review other people’s works. I bet it’d do the same thing for yours. Know anyone who could help put this thing together?

Haven’t decided whether I’ll be verbose or brief on this subject, here, today.  Have to look back and see, I guess.

Conversation threads this morning on Twitter (which I can’t retrieve, on account of Twitter is “stressing out” - and I don’t feel like trying to track everything down with tweetscan/summize), included one creator saying they were thinking of planning on releasing a project they’re working on … in September or October.  To which my mind replied: “I don’t understand.  If you have a releasable product, why not put it out there as soon as it’s ready? For a finished product, why wait?”

Now, I can see how with certain products - say, a dancing Santa Claus doll or a new line of Valentine’s Day candies - releasing at a particular time of year might be appropriate.  And I can see how products which will only be relevant for a limited time should be released in a specific time period - though that’s now, not later - to avoid irrelevance.

I can even see where something like a blockbuster movie, trying to maximize attention and profits would want to schedule its release to not be the same weekend as a directly competing release, which would not only compete for viewers dollars but for the actual, finite number of screens, but — and this is a big but — I can’t see why a studio would hold off on releasing a movie for months or, as actually happens more often than you’d think, years after it was ready to be shown.  The finite number of screens is (I believe) now well over 30,000 in the US alone, and even the widest of releases hasn’t topped 1/3 of those - there’s a LOT of screens, if you have a movie ready to go, put it out there!   If you don’t think it’ll make “enough” money in theatres, throw it to DVD - as long as you keep it in print, it’ll be available to whoever wants it.  As long as it’s sitting “in the can”, unreleased, it’s not making anyone any money, it’s not entertaining anyone, it’s not communicating anything, it’s wasted.

Which, I think, is part of my problem with the whole thing:  Someone, possibly a lot of someones, put their hard work and creative energy and ideas into creating something, and that work, that creation, is being held back, hidden, kept from its audience.

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